Welcome
Abstract
Welcome to volume 17, issue 1 of The Toro Historical Review!
This issue features nine essays produced in upper-division history classes and represents a remarkable achievement in undergraduate research, writing, and editing. Well done all!
Congratulations to the authors:
Anj Columba, “Women of Japan: The Incoming Workforce and Quality of Life from Meiji to Taishō Era”
Ezmo Flowers, “Transnational Modernism and Artistic Innovation: A Comparative Synthesis on Natalia Goncharova and Frida Kahlo”
Hector Hernandez, “Omens and Prenatal Care: Understanding the Care of Pregnant Women, Newborns, and Gender Roles through Omens in the Florentine Codex”
Kianna Le, “Yōkai Repurposed: A Historiography of Present-Day Yōkai”
Xavier Proctor, “MITI or Other Factors? A Post-War Japanese Camera Industry Historiography”
Phoebe Rehrig, “The Oversimplification of Rural Women of the Mexican Revolution”
Montserrat Romero, “Apartheid Publishing, Library, and Archival Histories: Censorship and Exclusionary Strategies”
Kevin Yahir Solorio, “Rural and Urban Crime in Late Imperial Russia”
Diana Vallejo, “For the Good of Their Souls: Sacred Justification for Colonial Violence in Mexico”
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This work is licensed under a Creative Commons Attribution 4.0 International License.
This is an Open Access article distributed under the terms of the Creative Commons Attribution (CC BY) 4.0 license, which permits unrestricted reproduction, distribution, and adaptation, provided that citation of the original work is included.
